While his new release is in English, Adam Cohen merits a mention here on account of his previous francophone work.
I've features Thomas Dutronc, as well as Lulu and Charlotte Gainsbourg recently, artists who have carved out their own musical identities while coming from famous musical families.
Of course, while a famous surname can open doors, the weight of expectation can be a burden. How does an artist live up to the high water mark of the last generation?
For Adam Cohen it must be more difficult than most, as the son of Leonard Cohen - to these ears at least the greatest songwriter ever - the standard that he is expected to reach could hardly be higher.
But with his new album, his third, he carries the weigh lightly, both confident in his own ability and at ease with his family legacy.
Cohen, although born in Montreal, spent much of his childhood in France after his parents separated. He was signed as a solo artist in 1997 after he moved to LA, having spent some time in bands in New York.
His self-titled debut album was released in 1998 and in 2004 a French language collection entitled Mélancolista was released. Between then and now Cohen was involved in the band Low Millions.
Cohen now accepts the legacy of his father, performing his work, and has said that his songs on this collection are reminiscent of his father's earlier work, a sound that Cohen senior has long moved away from as he embraced changes in style over the decades.
While his previous projects have met with critical approval, they've never achieved a commercial breakthrough. Cohen, older and wiser, looks set to finally get some of the credit he deserves in his own right for Like a Man.
Adam Cohen is touring extensively in Europe until the end of the year.
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