If 2017 went out with a sombre note with the passing of Johnny, 2018 seemed to continue that theme with the death of France Gall.
A few years ago I noticed that in my day job I was having to write an increasing number of obit pieces for stars of the 60s and 70s, as time began to take its toll. Inevitably there will be more losses to the music scene over 2018, that's part of life and there's no escaping it. But no point in getting too maudlin, I've always been keener to celebrate what's happening now and in the future than to dwell on what has been. The likes of Johnny and France Gall will never be forgotten, but those who continue the work these pioneers began deserve our attention.
As I mentioned elsewhere, 2018 has so far been a year of acts I've previously featured on this blog returning with strong new material. Bagarre, Cats on Trees, Feu! Chatterton, Dominique A and Owlle to name just a few.
It's also been worth noting how France's female artists have been getting some serious recognition. Maybe it's a consequence of Christine and the Queens carrying the flag for French music to an international audience like few others have done in recent years, but maybe France has been a more fertile place for female artists over the preceding decades.
While the likes of Mylene Farmer, Jane Birkin and France Gall have been measured by critics in terms of their male collaborators, their enduring careers tell a story of a popular audience that perhaps welcomes the female artist more that the male music critic does.
Did you notice, incidentally, the run of posts featuring female artists in January? It actually wasn't intentional and just unfolded that way, with the likes of Cats on Trees, Mylene, Owlle etc all getting my attention over a period of time and before I noticed there was more than ten female artists in a row.
One other female artists who will hopefully be attracting some attention in the UK in the near future is Halo Maud, who plays live dates across the country supporting Baxter Dury. Many of the shows are already sold out.
Also taking to the road around the UK is Barbagallo, ahead of their new album to be released in March. Their L'echappee video was one of January's real delights, and their album is likely to be one of 2018's real highlights.
There are also London shows from a few key French acts, with Petit Biscuit at the O2 Forum in Kentish Town on February 10, Kungs playing Ministry of Sound on February 17 and a sold-out show from Ibeyi on February 28 at the Electric in Brixton.
Weird statistics this month in terms of visitor numbers, but the only statistic that really matters to us here is the number of posts we managed to make. I know we're a long way from delivering anything like the number of short pieces we did a few years ago, but any month that sees more than 24 posts leaves me happy that I've been doing my job here.
Why 24 posts? Because that was the total we managed to do on the first year of the vive le roq blog. That's right. 24 posts over A WHOLE YEAR. So more than that in a month always feels like some kind of victory!
As always, you can contact us at johnkilbrideAThotmailDOTcom, with the appropriate punctuation where you'd expect it to be.
I'm always pleased to hear from record companies, PR companies and promoters, so do drop me an email. I'm always keen to hear new things, and relay information about acts I already know and love.
The blog is also on Twitter as @viveleroq, although that's pretty much just an autofeed when we update with a new article. You can usually find me on my personal Twitter account quicker, @karnag
If you're around Facebook, remember to like the French Music Podcast UK page, where you can get regular updates with both fresh and vintage French music.
Thanks as always to the good folks at Oui Love Music From France.
John K
Showing posts with label Johnny Halliday. Show all posts
Showing posts with label Johnny Halliday. Show all posts
Thursday, 1 February 2018
Thursday, 12 January 2012
Gérald De Palmas: L'étranger

I featured this track in audio format when it first surfaced in August ahead of the release of his Best of album Sur ma Route which was released in November.
I never got round to linking to it when the full video emerged, so I thought now was as good a time as any to do so.
The Sur Ma Route album includes the song L'étranger as well as De Palmas's own version of his Song Marie which he wrote in 2002, which became a number one hit for Johnny Hallyday after he recorded it for his A la vie, à la mort album,
De Palmas released his most recent full album, Sortir, in 2009. He's released five studio albums and one live collection, and has won two NRJ Music Awards, best francophone male artist in 2002 and best francophone album in 2002, as well as two Victoires de la Musique awards for male breakthrough act of 1996 and best male artist of 2002.
He is playing two dates in Paris later this year, a sold-out show at la cigale on March 8 and at l'Olympia on May 30.
Friday, 28 October 2011
News: Johnny Halliday at the Royal Albert Hall

With Johnny Hallyday confirming his first ever UK gig next year, I thought a track by the former M. Smet en anglais might be a good way to mark the occasion.
Johnny is playing the Royal Albert Hall on October 15 2012.
It'll I reckon almost certainly be a sell-out, I'm reminded of the time when he played Las Vegas in '96 , with 6,000 fans flying over in chartered planes and probably one of the most interesting dates in his tour.
Still, it was certainly a surprise to see Johnny appearing in page three of the Sun newspaper this morning!
He has already confirmed a number of arena dates around France through the summer of 2012 including three dates at the Stade de France in Paris in June.
Johnny is also expected to release a new album next year, a follow up to Jamais Seul.
Not bad for guy who announced his retirement in 2007. And also in 2009...
Despite his health scare in recent years, Johnny seems in fine form again, and is currently appearing on stage in Paris in an adaptation of Tennessee Williams play.
Labels:
john kilbride,
Johnny Halliday,
london,
londres,
Royal Albert Hall,
vive le roq
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